left uncorrected by other animation directors, so it’ll be interesting to see how his mentality interacts with Chiba’s thorough approach as supervisor. The anime industry is known for allowing these individual artists lots of room to express their own style. He often expresses demands to have his key animation Key Animation (原画, genga): These artists draw the pivotal moments within the animation, basically defining the motion without actually completing the cut. Plenty of specialized Animation Direction roles exist – mecha, effects, creatures, all focused in one particular recurring element. They might correct cuts that deviate from the designs too much if they see it fit, but their job is mostly to ensure the motion is up to par while not looking too rough. He’s primarily known for his frenetic fighting scenes, but his work supervising Welcome to the Ballroom‘s greatest dancing sequences served as a reminder that he’s capable of much more than just action… ironically so, since those were credited as action animation direction Animation Direction (作画監督, sakuga kantoku): The artists supervising the quality and consistency of the animation itself. But most importantly, we’ve got Takashi Mukouda back. That experience in particular granted him the grasp of physicality in animation that makes this team so special. Hideki Takahashi is a renowned character acting specialist who served in the same role on Robotics Notes and A Lull in the Sea, then later worked on last two seasons of Haikyuu! as action (thus volleyball) animation director, notably solo key animating episode 4 of season 2. Run with the Wind‘s lineup of main animators is quite the enticing prospect. Western fans have long since appropriated the word to refer to instances of particularly good animation, in the same way that a subset of Japanese fans do. The trailers sure look promising!īeloved source material, very capable main staff, and yet another thrilling Yuki Hayashi soundtrack coming up – does it get more exciting? The answer is yes, especially if you’re a sakuga Sakuga (作画): Technically drawing pictures but more specifically animation. His contribution to both Haikyuu!! and Welcome to the Ballroom as one of the chief animation directors was fantastic and I believe it’s safe to expect the quality of his work will improve even further when working with his own set of fancy designs. The usual character designer Takahiro Kishida stepped down in favor of certain productions we’ll be talking about later and was replaced by Takahiro Chiba – a regular member of the team who was greatly influenced by Kishida’s designs in the first place, after spending nearly four years supervising them. He won’t be the only major staff change this time around, however. And I couldn’t be any happier with the material they’ve been entrusted with this time, though truth to be told, it’s not much of a surprise after volleyball ( Haikyuu!!) and ballroom dancing ( Welcome to the Ballroom) their specialization in depicting sports where the movement and postures of the athletes’ bodies are key is clear, so those skills are going to be put to good use with an award-winning series about running.Īnother interesting tradition of theirs that will be continuing is having a different director for each of their shows, with the still relatively young but experienced Kazuya Nomura ( Robotics Notes, Joker Game) helming the project. Now that sounds like the preamble to sad news, but the truth is far from that: Run with the Wind marks the return of I.G’s strongest TV production crew, led by animation producer Keiko Matsushita. There’s quite the gap between the teams putting out exceptional productions left and right and attracting top talent that lives up to that fame, and those that are regularly given projects with a depressingly low ceiling, which no amount of staff passion can smash through. Liborek: Although Production I.G is quite the prestigious entity in the anime industry, not all of the studio’s divisions are equally capable. Main Animators: Hideki Takahashi, Takashi Mukouda Fall anime season is fast approaching, featuring even more mysteries than usual – but that’s what we’re here for! Let’s run down the most interesting upcoming titles, the major projects that congregate skilled anime creators, and the misleading productions that you might otherwise ignore or not be fully prepared for.
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